Virtual Riot Masterclass: Advanced EDM Production at Slam Academy
Virtual Riot’s Advanced EDM Masterclass: Sound Art Recap
Meet the Mentor: Virtual Riot
- Share every trick he knows about heavy electronic music production.
- Keep it fun—because learning should spark as much dopamine as a filthy drop.
Alongside teaching Slam Academy’s new Advanced EDM Production course, he stressed the importance of mental health: getting out of the studio, collaborating, and “touching grass” now and then.
From Pure Tone to Poly-Rhythm
Valentin demonstrated how slowing a saw-wave reveals a natural polyrhythm. Drop the interval to a fourth or fifth and you’ll hear musical ratios (2:3, 3:4) your ears instantly love.
Fun fact: those same intervals translate to complementary colors—orange and blue—in the light spectrum. Physics + art = magic.
Randomization & AI: Your Secret Co-Producers
- Sonic Plant 2 (the revamped “plant synthesizer”) now clones any sample into a playable patch with AI-powered knob-tweaks.
- Massive’s old-school Randomize All button is still gold—just lock oscillator pitch, smash the dice icon, and save the gems.
- Rule of Thumb: Surprising yourself often leads to more excitement—and better tracks—than slavishly reproducing sounds already in your head.
Ableton Stock FX Hacks
Step | Device | Purpose |
1 | Band-Pass Filter | Carve a tight 1 kHz band |
2 | OTT x 3 | Crush & bring back the lost tone (three is the sweet spot) |
3 | Corpus / Frequency Shifter | Add aliasing grit |
4 | Erosion | Inject controllable noise for extra bite |
Building a Personal Sound Library
- Curate favorite Splice files into clear folders (Kicks, Claps, Vocal Chops).
- Save randomized synth patches as presets.
- Collect “signature” transitional FX (reverse swooshes, dolphin squeaks—yes, really).
A tidy library means you can sketch ideas fast without diving into sound design rabbit holes mid-session.
Arrangement Philosophy: A B A C
- A (call) – B (response) – repeat A – twist into C
- Next pass: A – B – A – bigger twist D
Listeners stay hooked because the motif is familiar, but each cycle delivers a fresh payoff.
Workflow in Action
- Simpler slices a vocal hit → pitched, looped, resampled.
- Side-chain rack auto-ducks everything but drums (MIDI trigger on C1).
- Quick drum groove: trusty “Janet” hi-hat + Decap kick/snare.
- Layer clean sine sub under the distorted mid bass (grouped tracks).
- Texture plugin sprinkles airy noise that tracks input volume.
Result? A club-ready dubstep riff born in minutes.
Takeaways for Your Next Session
- Experiment playfully. Turn mistakes into textures.
- Use AI and randomizers as inspiration engines, not crutches.
- Protect momentum. Separate writing from deep sound design—swap later.
- Keep learning. Slam Academy’s courses (Ableton Live, Mixing & Mastering, Music Business, and more) expand every angle of your craft.
Watch the Full Workshop
Get in touch
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Waterbury Building
1121 Jackson Street NE Suite #142 Minneapolis, MN 55413
Mike Johnson
(Baard, Michaelton)
Michael T. Johnson (aka Baard, aka Michaelton) can be found DJ’ing at just about every known venue in Minneapolis, with gigs regularly every weekend. But, he wears many hats, (both figuratively and literally). Versatility is a skill that he balances well, as he is equipped heavily in education with a Bachelor’s Degree from the University of St. Thomas. His studies dove him deep into communications, recording arts, choral ensemble, music business, music theory & acoustics, social media branding, marketing, and graphic & web design. Baard is an Ableton Live enthusiast, getting daily mentoring from the top ACT’s for over 2 years now after completing the Ableton Live program at Slam Academy. He teaches privately as well as providing support for other instructors. Baard’s creativity comes from being a multi-instrumentalist with a forte in vocals. He knew, ever since making his first beats and raps in high school, that music was his direction. Baard also keeps himself busy as a music producer, clocking in endless hours of studio time to create music for short films, documentaries, and reality shows. His most recent new hat is artist management, providing guidance and connections for new artists.
Specks made his way into the DJ scene at the young age of 13-years-old. And nearly a decade later is regularly playing numerous shows and festivals in and around the twin cities.