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MaxForLive is a powerful tool that lets users design their own instruments, effects, and devices.

For years I’ve been teaching Ableton Live and Max in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn’t be a barrier. This class uses the same outline and syllabus I’ve used in my college classes for years, at a fraction of the cost.

MaxForLive it isn’t without its drawbacks: MaxForLive is notoriously difficult to learn. I’ve developed an approach for teaching MaxForLive that focuses on teaching it like a language: You will learn small blocks and patches, understanding the how and the why along the way. As we grow our vocabulary, we “learn how to learn” more and more.

What will I learn in this Course?

  • The unique and quirky history and development of Max
  • What we can do with MaxForLive
  • Max vs. MaxForLive
  • The MaxForLive Devices
  • Finding and Sharing MaxForLive Devices
  • Getting Help: Help Windows in MaxForLive
  • Presentation Mode & Patching Modes
  • The Max Editor
  • Messages
  • Bangs & Buttons
  • Project 1: Building a MIDI Delay
  • Project 2: Building an Arpeggiator
  • Working with Audio Signals
  • Project 3: An Audio Delay
  • ~ Objects (tilde objects)
  • Presentation Setup
  • Controlling Live
  • Abstractions
  • Controlling anything in Live
  • Project 4: A Beat-Quantized Randomized Filter
  • Finding the Beat from Live
  • Project 5: Artificial Intelligence (sort of)
  • … And much more!!!

About the Instructor

J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.

He currently is an adjunct professor of composition at the University of St. Thomas, and is the CEO and co-founder of Slam Academy in Minneapolis.

Praise for classes by J. Anthony Allen

“Without a doubt the best explanation and east of use that one can get. It leaves you enough room to go explore. The classes go by quick, so you can be on your way at being proficient. What are you wait for!”

“Amazing – Seriously Loved It! I took all his courses and have to say I’m so happy! Learnt loads! Jason is an awesome teacher!”

“I have never had any formal training in music at all. Trying to learn all the notes and how everything translated was a serious challenge. After going through this class, Dr. J has totally brought down the barriers. The content was very useful and was easy to grasp for me.”

“I like these courses because you can get up and running quickly without having to spend hours of time wading through TMI (too much information!). Jason hits the high points but shows you what you need to know. Thanks!”

“I’ve watched many other videos on scales and chords before, however, this one has been the best. I now understand minor scales and chords and even how to analyze songs. It really gave me the confidence to start producing music because I feel like I have some structure and guidelines to follow. AWESOME!”

“Clear and Informative – Jason has a clear uncluttered style (with the important dashes of humor) of presentation that is focused on the important key aspects of this course. Recommended for those starting out!”

“Dr. Allen does it again with his music theory series. This course really opened up everything I learned from the 1st section, and now I understand more about the composition side of things for music. I highly highly recommend this course to anyone!!! Really opened my eyes to many things I wasn’t aware of.”

“The Best Teacher Ever, who makes you understand the ins & outs of Music Theory by all means without giving what you don’t want to know.”

Course Information

Estimated Time: 5 Hours

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Course Instructor

Jay Allen Author

J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater. He currently is an adjunct professor of composition at the University of St. Thomas, and is the CEO and co-founder of Slam Academy in Minneapolis.

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Welcome & Overview

What is MaxForLive?

Getting Started

Creating Our Own Devices

Our First Project: A MIDI Delay

Project 2: Arpeggiator

Working with Audio in Max

Project 3: An Audio Delay

Talking to (and Controlling) Live

Project 3: A Beat-Quantized Randomized Filter

Wrap Up

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